Jean-Michel Basquiat completed Untitled in 1982 at a time when he was virtually unknown to the art world. Exhibited only in a small group exhibition called Fast at Alexander Milliken Gallery in New York from June-July of that year. The artwork marks a critical moment in the artist’s career, executed in the same year that the artist had his seminal first solo exhibitions at Annina Nosei Gallery in New York and Gagosian Gallery in Los Angeles. Intricate layers of forcefully applied and impastoed oilstick, acrylic, and spraypaint in a spectrum of electric color coalesce in an intensely worked, rich surface that exemplifies Basquiat’s singular command as a master colorist and draftsman. Exploding in a torrent of irrepressible gestural energy that reflects Basquiat’s early beginnings in graffiti, the painting further inaugurated the beginnings of a new mode of figurative painting that took hold of the New York art world in downtown Manhattan in the early 1980s.
Basquiat's virtuosic rendering of a single skull-like head draws many parallels with the artist’s most celebrated works. The artwork is populated with a range of Basquiat’s greatest icons: most remarkably dominated by the complexly detailed anatomical head, the three-pointed crown, and all-over scrawled typography.
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